The best musical soundtracks to test your speakers

In a time of constant effort, we realize that we regularly light, love and live every night, eight, a week in London, the West End, New York’s Broadway, Paris’s stunning cabaret scene, and countless other theaters around the world Recalls the music. By March 2020.

It is now widely accepted that Churchill did not retreat, “Then what are we fighting for?” When it was suggested that he would help in the war effort by cutting the funding of the Arts Council. However, he added: “The arts are essential to any complete national life.”

Until one of the hard-working stars of our feet can get out of there, grab one leg, take out a single and knock out the living crowd for six (or, literally, for six) again, we fight it out. Beaches may not be able, but we can fight it in our homes – on our sound systems. That is why we have made our list of the best musicians to test your speakers.

To all the artists, musicians, conductors, directors and stage managers who dealt with these incredible works and made them easy: we appreciate you. Never before in the field of light entertainment was so outstanding to so many people. Stay strong Now, let’s face the music, and dance!

The mysterious, illuminating and celebratory carousel waltz is hard to beat in any show-tuned lineup. The 1945 musical was the second birth of a magical partnership between Richard Rodgers and Oscar Hammerstein after Oklahoma. The story revolves around Billy Bigelow and Julie Jordan, a carousel barker and a millworker in Maine.

The very first track, The Carousel Waltz, does away with the traditional concept of overture, which includes an amalgam of the show’s best songs. Instead, you get an original barn-storm – a jewel of a piece in itself. A single flute plays a melody. It is interconnected, and soon we are in a dream-like sequence of action – and playing a full orchestra as a whole.

Come to it, and Billy Soliloquay (a demanding, stripped baritone solo, sustained for seven and a half minutes), ballet sequences and of course, you’ll never walk alone. Yes, despite the ongoing spat between Liverpool and Celtic football fans who sang it before, the song was actually performed for the first time by Christine Johnson, in the role of Nettie Fowler, at the Majestic Theater on Broadway in April 1945.

Apparently, Steven Sondheim (a teenager at the time) attended that premiere of Carousel and was shed tears. Rodgers later wrote that all of his music, Carcel, was his favorite.

When Toby Marlow and Lucy Moss presented six at the 2017 Edinburgh Fringe, “what started as a kind of fun university project” (according to Marlow) soon took shape. The premise: Henry VIII’s six wives will perform an X-Factor style concert, where audiences will be given the coveted role of lead singer to decide the worst experience of their common husband.

Okay, it’s not necessarily that the cold hit of the stone shouted at first, but again, Cates is based on a 1939 collection of poems about four-legged lines. And despite a global epidemic, look at what has happened in three short years! Six Broadway’s debut was pulled from the curtain in September because of Kovid-19, but has only served to bolster its popularity.

Eurovision meets the electro-pop, boom-bang-a-bang German scholar in the standout assemblage track, Hoss of Holbein, which Israeli Eurovision may have written to Netta himself, but Don’t Loose Your Head and Genuinely Moving Heart Stone has been the show’s past. One of the best new composers in a decade. Socho Rani’s vocal range meets Rani’s English – surprising.

That teenager, who watched the first performance of the carousel with watery eyes, had become great, right? We chose to inaugurate the 1986 San Diego production, but the 2014 Disney motion picture soundtrack (played by Meryl Streep, Emily Blunt and Johnny Depp) is also very well done indeed.

The musician cleverly blended several Brothers Grimm fairy tales, exploring the consequences of the protagonist’s various desires and goals. The main characters are borrowed from Little Red Riding Hood, Jack and the Beanstalk, and Cinderella, all tied together to search for a baker, his wife and children – the original debut of Rapunzel of the Brothers Grimm. Oh, and there’s a witch who has a hex on them. Annoying.

The prologue has a verbatim feel to the lyrics, with a detailed, layered passage, making it very difficult for both of them to perform (as they copy the rhythm and pitch of the voice, such as speech) and laughter- Strange out loud.

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